SELECTED EXHIBITIONS |
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2024 2023 2022 2021 |
Zero Art Fair, curated by William Powhida and Jen Dalton for Upstate Art Weekend, Elizaville, NY A Pot Nudged Into Oblivion, curated by Ice Cream Social, MAPSpace, Port Chester, NY The Fat of the World, solo presentation curated by New Collectors Gallery director Sibilla Maiarelli for DIFFA by Design 2023, Javits Center, New York, NY NYAE Annual Member’s Invitational, Equity Gallery, New York, NY Void Fill, AUTOMAT, Philadelphia, PA (two-person) Recumbent: The Art of Lying, Equity Gallery, New York, NY LUMIÈRE, Art Fluent, virtual LIGHT WINDOWS 2021, a HoloCenter project, New York, NY |
2020 |
Primordial Soup, Paradice Palase, Brooklyn, NY what we create may save us, Ejecta Projects, Carlisle, PA (curator and exhibiting artist) RANSOM 2, Wayfarers, virtual (Instagram-based) LIGHT WINDOWS, a HoloCenter project, New York, NY Breeding the Unfamiliar, Quaid Gallery, Tampa, FL |
2019 |
Environ, Paradice Palase, Brooklyn, NY Anthropocene Blues, Wayfarers, Brooklyn, NY Light, 440 Gallery, Brooklyn, NY Packaged, Manifest Gallery, Cincinnati, OH |
2018 |
Wayfarers Annual Member Show, Wayfarers Gallery, Brooklyn, NY milk teeth, Wayfarers Gallery, Brooklyn, NY (solo) |
2017 |
How to Draw a Tyrant: Wayfarers Annual Member Show, Wayfarers Gallery, Brooklyn, NY |
2014 |
ENID : Generations of Women Sculptors, Morlan Gallery at Transylvania University, Lexington, KY |
2013-2014 |
Uncommon Wealth : Legacy of the Kentucky Arts Council Visual Arts Fellowships, touring, various locations throughout Kentucky |
2013 |
ENID : 2013, Cressman Center for Visual Arts, Hite Art Institute, Louisville, KY |
2011 |
ENID : Generations of Women Sculptors, Carnegie Center for Art & History, New Albany, IN |
2010 |
After the Pedestal, The Sculpture Center, Cleveland, OH |
2009 |
Shawn Marshall - with participating artists from ENID: Generations of Women Sculptors, Pyro Gallery, Louisville, KY |
2008 |
small world, Green Building Gallery, Louisville, KY (solo) KY7 Biennial, Lexington Art League, Lexington, KY |
2007 |
Roar.Shock, Swanson Reed Contemporary, Louisville, KY Pillow Talk, Ruth Bachofner Gallery, Santa Monica, CA HOLD, Gallery NuLu, Louisville, KY (solo) |
2006 |
Dangenart International Juried Exhibition, Dangenart Gallery, Nashville, TN 17th National Juried Exhibition, Viridian Artists Inc., New York, NY; juror: Robert Rosenblum, Guggenheim Museum Open Door 2, Rosalux Gallery, Minneapolis, MN; juror: Kathleen Kvern, Walker Art Center Surface, Space and Light, Arts + Literature Laboratory, New Haven, CT Texas National, Stephen F. Austin State University, Nacogdoches, TX; juror: Paul Brach Cambridge Art Association 9th Annual National Prize Show, Kathryn Schultz Gallery/University Place Gallery, Cambridge, MA; juror: Cheryl Brutvan, Museum of Fine Arts, Boston National Juried Exhibition, Alameda Art Center, Alameda, CA; juror: Janet Bishop, San Francisco Museum of Modern Art A Southern Presence, Loudoun House Gallery, Lexington, KY Expo 25, b.j. spoke gallery, Huntington, New York; juror: Adrian Sudhalter, Museum of Modern Art, NY |
2005 |
03.06.05, Gallery 707, Louisville, KY (solo) |
2000 |
Kentucky Foundation for Women Grant Recipients Exhibition, Artswatch, Louisville, KY |
EDUCATION |
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1997 |
MFA, University of Washington, Seattle, WA |
1995 |
BFA, Kansas City Art Institute, Kansas City, MO |
1992 |
BA cum laude, Centre College, Danville, KY |
TALKS AND PANEL DISCUSSIONS |
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2024 2023 2020 |
Interview with Bonny Liebowitz for ArtHeads A Pot Nudged Into Oblivion Artist Panel, Ice Cream Social at MAPSpace The Amy Beecher Show, Episode 53 (podcast) Breeding the Unfamiliar Artist Talk, Quaid Gallery, Tampa, FL |
2018 |
Salon at Forest, Brooklyn, NY |
2017 |
Wayfarers, Brooklyn, NY |
2014 |
University of Louisville, Louisville, KY |
Huff Gallery, Spalding University, Louisville, KY |
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2008 |
Lexington Art League, Lexington, KY |
2006 |
This Is What a Feminist Looks Like, Jefferson Community College, Louisville, KY |
BIBLIOGRAPHY |
Renée Reizman, "DIFFA Shows How Sustainable Design can Change the World," Sixtysix Magazine, June 14, 2023. Sibilla Maiarelli, “The Fat of the World,” 2023. (catalog) Joseph and Barrie Ann George, “Art: Brooklyn collaborative’s final exhibit shown in Carlisle gallery,” The Sentinel, Oct 14, 2020. what we create may save us, text by Cynthia Reynolds, 2020. (catalog) |
Maureen O’Leary, “Interview: Cynthia Reynolds,” Number, no. 96, winter 2018/dependency |
Chelsea Gifford, “Art: Carnegie Pays Tribute to Women Sculptors,” LEO Weekly, April 6, 2011. |
Diane Heilenman, “Critic’s Pick: Artist Skews Perception,” The Courier-Journal, November 2, 2008. |
Stephanie Brothers, “Explore: Packing the Body, Packaging the Self/Cynthia Reynolds,” Underwired, March 2007. |
Diane Heilenman, “A Woman’s Touch: Exhibits Offer a Chance to Reflect on Women’s Strengths,” The Courier-Journal, January 21, 2007. |
Leah Lopez Schmalz, “Two Halves Become One at ALL,” North Haven Courier, May 11, 2006. |
Judy Birke, “Lots Going On Beneath the Surface at Thoughtful ALL Exhibit,” New Haven Register, May 6, 2006. |
Helen A. Harrison, “25th Annual Expo,” The New York Times, March 19, 2006. |
Celebrating Women, text by Maiza Hixson, 2005. (catalog) |